This session looks at the aesthetic changes over time from celluloid print to using digital processes including cameras and tapeless workflows.
With: Chris Maris, Frank Passingham and Tristan Oliver
On the panel are some of the most successful cinematographers in the industry with experience of both celluloid and digital processes. Each will present examples and contribute to a lively discussion of how working practises have changed and how these have impacted on the freedom and ease to achieve desired results.
What are some of the main pre and post-production benefits? Can you achieve more, or less, ‘in-camera’ now? And, can you, in fact, now get what you want? These questions and more will be tackled by the esteemed and picturesque panellists.
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